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As of Nov 06, 2024

Charles Smerdon-Roe

Lot 73014
Selected East Anglian studies, 1890s (12 works)
12 platinum prints, 3 toned, printed c. 1890s. Five with title in ink on an affixed label, modern mount recto or verso.

11.35 x 9.35 in

Lot 73014
Selected East Anglian studies, 1890s (12 works)
12 platinum prints, 3 toned, printed c. 1890s. Five with title in ink on an affixed label, modern mount recto or verso.
11,4 x 9,4 in

Estimate: US$ 2,500 - 3,500
€ 2,300 - 3,200
Auction: tomorrow

Heritage Auctions

City: Dallas, TX
Auction: Nov 25, 2024
Auction number: 8218
Auction name: Photographs from the Collection of Eric Franck Signature® Auction

Lot Details
Charles Smerdon Roe (British, 1842-1900) Selected East Anglian studies, 1890s (12 works) 12 platinum prints, printed c. 1890s and flush-mounted or mounted on modern archival board, some with title in ink affixed, mount recto. image: varying sizes from 6 x 4-1/4 inches (15.2 x 10.8 cm) to 11-3/8 x 9-3/8 inches (28.8 x 23.7 cm) mount/ flush-mount, varying sizes from 8-1/4 x 6-1/4 inches to 11-5/8 x 10-1/8 inches PROVENANCE: Sotheby's London, Photographs, May 5, 2000. Images as follows: Ickingham Untitled (Man punting) Untitled (People ploughing) Rabbits Untitled (Man and dog in punt, women on bank) Flirtation Untitled (Punting) Eel Spearing Untitled (Couple with hoe) Untitled (Gypsy life, Holywell) Jardine Boats, Concameau Born in Cambridge, England, Charles Smerdon-Roe was a jeweler and goldsmith by trade, as well as a gifted amateur photographer, who spent his spare time capturing the landscape and inhabitants of the surrounding countryside with his camera. Smerdon Roe exhibited two works at the Royal Photographic Society, in 1891 The Sedge Gatherers in 1895 and A Fishing Cottage, both critically well-received and in a style strongly reminiscent of Roe's better-known compatriot Peter Henry Emerson, whose treatise, Naturalistic Photography for Students of the Art, published in 1889, was hugely influential on him. HID12401132022 © 2024 Heritage Auctions | All Rights Reserved
Sotheby's London, Photographs, May 5, 2000.
9 neutral toned, 3 warm toned prints on matte paper, trimmed to edges and mounted or virtually flush-mounted to modern archival card stock, then hinged to modern matboard. Few areas of discoloration/ foxing through group, visible under close inspection and not affecting images too adversely. A wonderful series of rare studies by this little-known photographer, in very good condition overall. Contained in a commercially-produced folio clamshell box.
Lot Details
Charles Smerdon Roe (British, 1842-1900) Selected East Anglian studies, 1890s (12 works) 12 platinum prints, printed c. 1890s and flush-mounted or mounted on modern archival board, some with title in ink affixed, mount recto. image: varying sizes from 6 x 4-1/4 inches (15.2 x 10.8 cm) to 11-3/8 x 9-3/8 inches (28.8 x 23.7 cm) mount/ flush-mount, varying sizes from 8-1/4 x 6-1/4 inches to 11-5/8 x 10-1/8 inches PROVENANCE: Sotheby's London, Photographs, May 5, 2000. Images as follows: Ickingham Untitled (Man punting) Untitled (People ploughing) Rabbits Untitled (Man and dog in punt, women on bank) Flirtation Untitled (Punting) Eel Spearing Untitled (Couple with hoe) Untitled (Gypsy life, Holywell) Jardine Boats, Concameau Born in Cambridge, England, Charles Smerdon-Roe was a jeweler and goldsmith by trade, as well as a gifted amateur photographer, who spent his spare time capturing the landscape and inhabitants of the surrounding countryside with his camera. Smerdon Roe exhibited two works at the Royal Photographic Society, in 1891 The Sedge Gatherers in 1895 and A Fishing Cottage, both critically well-received and in a style strongly reminiscent of Roe's better-known compatriot Peter Henry Emerson, whose treatise, Naturalistic Photography for Students of the Art, published in 1889, was hugely influential on him. HID12401132022 © 2024 Heritage Auctions | All Rights Reserved
Sotheby's London, Photographs, May 5, 2000.
9 neutral toned, 3 warm toned prints on matte paper, trimmed to edges and mounted or virtually flush-mounted to modern archival card stock, then hinged to modern matboard. Few areas of discoloration/ foxing through group, visible under close inspection and not affecting images too adversely. A wonderful series of rare studies by this little-known photographer, in very good condition overall. Contained in a commercially-produced folio clamshell box.
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