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As of Nov 13, 2024

Almut Heise

Lot 353
Bakelite Display, 1971
Acrylic on paper

17.8 x 10.4 in (45.3 x 26.5 cm)

Lot 353
Bakelite Display, 1971
Acrylic on paper
17.8 x 10.4 in (45.3 x 26.5 cm)

Estimate:
€ 6,000 - 8,000
Auction: 22 days

Ketterer Kunst GmbH & Co KG

City: Munich
Auction: Dec 07, 2024
Auction number: 561
Auction name: Contemporary Day Sale

Lot Details
Watercolor, color pencil, gouache and Acrylic on paper. Signed and dated “11 December 1971” lower right, titled lower left (each scratched into the wet paint). On light board. Actual depiction: 45.3 x 26.5 cm. Sheet (also painted): 59,6 x 40 cm.
[CH].
- With six decades of creative work, Almut Heise has established a unique and consistent position in figurative contemporary art. Between 1967 and 1970, Heise studied at the University of Fine Arts of Hamburg, where Gotthard Graubner and Paul Wunderlich were among her teachers. During her DAAD scholarship at the Royal College of Art in London, she studied under Allen Jones, David Hockney, and Peter Blake, among others. - In her early works, Heise focused on interiors from the post-war period and the time of the German Wirtschaftswunder (Economic Miracle). - Today, the artist's works are part of important museum collections, including the Hamburger Kunsthalle, the Städel Museum in Frankfurt am Main, and the Museum Frieder Burda in Baden-Baden. - The Staatliche Graphische Sammlung München (Pinakothek der Moderne) presents an extensive solo exhibition of her drawings until January 4, 2025.
LITERATURE: Marie-Catherine Vogt, Almut Heise. Catalogue raisonné II (drawings, etchings), Berlin 2024, p. 94, cat. no. Z 69 (with full-page color ill., on p. 192).
Almut Heise. Gemälde, Gouachen, Zeichnungen, Radierungen, Staatliche Kunsthalle, Baden-Baden, May 17 - June 30, 1974, Württembergischer Kunstverein, Stuttgart, August 7 - September 15, 1974, p. 87, cat. no. 92 (with full-page illu.)
Michael Becher Collection, Istanbul. From a Swiss collection
In good condition. The cardboard was fitted with narrow paper margins all the way around by the artist (before painting). Isolated studio marks and tiny surface blemishes. Isolated tiny fiber adhesions. The left sheet edge with a small nick, the lower left sheet corner slightly irregular. The image in the brown color area at the bottom with craquelure and slight flaking, there with isolated tiny losses of color.
Lot Details
Watercolor, color pencil, gouache and Acrylic on paper. Signed and dated “11 December 1971” lower right, titled lower left (each scratched into the wet paint). On light board. Actual depiction: 45.3 x 26.5 cm. Sheet (also painted): 59,6 x 40 cm.
[CH].
- With six decades of creative work, Almut Heise has established a unique and consistent position in figurative contemporary art. Between 1967 and 1970, Heise studied at the University of Fine Arts of Hamburg, where Gotthard Graubner and Paul Wunderlich were among her teachers. During her DAAD scholarship at the Royal College of Art in London, she studied under Allen Jones, David Hockney, and Peter Blake, among others. - In her early works, Heise focused on interiors from the post-war period and the time of the German Wirtschaftswunder (Economic Miracle). - Today, the artist's works are part of important museum collections, including the Hamburger Kunsthalle, the Städel Museum in Frankfurt am Main, and the Museum Frieder Burda in Baden-Baden. - The Staatliche Graphische Sammlung München (Pinakothek der Moderne) presents an extensive solo exhibition of her drawings until January 4, 2025.
LITERATURE: Marie-Catherine Vogt, Almut Heise. Catalogue raisonné II (drawings, etchings), Berlin 2024, p. 94, cat. no. Z 69 (with full-page color ill., on p. 192).
Almut Heise. Gemälde, Gouachen, Zeichnungen, Radierungen, Staatliche Kunsthalle, Baden-Baden, May 17 - June 30, 1974, Württembergischer Kunstverein, Stuttgart, August 7 - September 15, 1974, p. 87, cat. no. 92 (with full-page illu.)
Michael Becher Collection, Istanbul. From a Swiss collection
In good condition. The cardboard was fitted with narrow paper margins all the way around by the artist (before painting). Isolated studio marks and tiny surface blemishes. Isolated tiny fiber adhesions. The left sheet edge with a small nick, the lower left sheet corner slightly irregular. The image in the brown color area at the bottom with craquelure and slight flaking, there with isolated tiny losses of color.
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