Signed lower right: JCLeyendecker

Haggin Museum, Stockton, California, "Michael Dolas: Capturing the Character of His Country," January 17-February 24, 2019.

The artist; Michael Dolas, acquired from the above; By descent to the present owners.

Joseph Christian Leyendecker (American, 1874-1951) Night Before Christmas, The Saturday Evening Post cover, December 26, 1936 Oil on canvas 31 x 24 inches (78.7 x 61.0 cm) Signed lower right: JCLeyendecker Property from the Michael Dolas Family Collection PROVENANCE: The artist; Michael Dolas, acquired from the above; By descent to the present owners. EXHIBITED: Haggin Museum, Stockton, California, "Michael Dolas: Capturing the Character of His Country," January 17-February 24, 2019. Joseph Christian Leyendecker's Night Before Christmas, painted for The Saturday Evening Post on December 26, 1936, humorously captures the energetic spirit of holiday consumerism in pre-World War II America. Leyendecker presents the frenzied last-minute Christmas shopping rush as an essential component of the festive season, as integral to it as time with family, caroling, evergreen trees, and eggnog. His sharp eye for social detail and humor transforms the scene into a relatable and lively moment of universal holiday joy. The painting centers on a fashionable woman in a fur-trimmed coat confidently navigating a busy shop, while a man struggles behind her, precariously balancing an enormous stack of gifts. A wailing child clings to the woman, perhaps her son, suggesting that this group could be a family engaged in the universal holiday tradition of gift-shopping. The exaggerated facial expressions and dynamic body language create a humorous tension, reflecting the lighthearted chaos of the season. The woman's slight forward lean, open notebook, and her family's struggle to keep up suggest she is making sure they check each box on their holiday list whether they like it or not. Stylistically, Leyendecker's clean lines and bold colors underly the festive atmosphere, imbuing the scene with cinematic energy. Compared to other early 20th-century American illustration, wherein artists like Rockwell often focused on the sentimental aspects of the holidays, Leyendecker leans more into the comedic and bustling side of celebrations. Night Before Christmas exemplifies this, offering a lively contrast to Rockwell's quieter, more intimate holiday illustrations. Leyendecker use of humor to embrace rather than critique the commercial dimension of the holidays is prescient; his emphasis on the joy and exuberance of crowded stores, festive attire, and piles of brightly wrapped gifts encourages the viewer's heart to skip a childish beat. In Night Before Christmas, the family's chaotic shopping adventure reflects the best of shared, familiar experiences of many Americans amid the end of the calendar year. The electric energy and dramatic family dynamics, the hustle and bustle, far from dampening the holiday spirit are instead a central tenet of the collective celebration. HID12401132022 © 2024 Heritage Auctions | All Rights Reserved

Unlined canvas. Fain stretcher bar lines visible. Small 1/4 inch abrasions in the purse with accompanying flecks of loss. Under UV exam, there appear to be a few spots of inpaint in the aforementioned purse along left edge. A few scattered spots of reinforcement to the white background. Framed Dimensions 40 X 32 Inches