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Giovanni Battista Piranesi (Italian, 1720-1778) Veduta interna della Chiesa della Madonna degli Angioli, from 'Vedute di Roma' (Hind 129) Etching, 1776, on heavy laid paper, Hind's first state (of four), trimmed just outside the borderline; together with Giuseppe Vasi and Giovanni Battista Piranesi Piazza di Monte Citorio, from 'Delle Magnificenze antiche, e moderne di Roma' Etching, 1773, on wove paper; Luca Carlevarijs Palazzo Gussoni al Ponte Noale, from 'Le Fabriche, e Vedute di Venetia' Etching, circa 1703, on laid paper; Giovanni Francesco Costa Veduta del Palazzo Pisani Etching, circa 1750, on laid paper; Giuseppe Pera after Antonio Terreni Veduta del Lung'Arno di Pisa Etching and aquatint, on laid paper; with six further small engravings of views of Venice
Giovanni Battista Piranesi (Italian, 1720-1778) Veduta interna della Chiesa della Madonna degli Angioli, from 'Vedute di Roma' (Hind 129) Etching, 1776, on heavy laid paper, Hind's first state (of four), trimmed just outside the borderline; together with Giuseppe Vasi and Giovanni Battista Piranesi Piazza di Monte Citorio, from 'Delle Magnificenze antiche, e moderne di Roma' Etching, 1773, on wove paper; Luca Carlevarijs Palazzo Gussoni al Ponte Noale, from 'Le Fabriche, e Vedute di Venetia' Etching, circa 1703, on laid paper; Giovanni Francesco Costa Veduta del Palazzo Pisani Etching, circa 1750, on laid paper; Giuseppe Pera after Antonio Terreni Veduta del Lung'Arno di Pisa Etching and aquatint, on laid paper; with six further small engravings of views of Venice