- auctionspotter

Lot 237 Christ on the Cross I. Circa 1946–1948. Etching

9 days | Ader, Paris

Jean Arp

Lot 238 Christ on the Cross I. Circa 1946–1948. Etching (typographic print with b...

9 days | Ader, Paris

Jean Arp

Lot 239 Christ on the Cross II. 1948. Etching (typographic print on a black backgro... , 1948

9 days | Ader, Paris

Jean Arp

Lot 154 Print for H. von Kleist, *Les Marionnettes*, Paris, G. Visat, 1969. Engrave... , 1969

today | Artmark, Bucharest

Marcel Chirnoagă

Lot 145 Bad Horses

etching and aquatint

€ 250 - 350

6 days | Bruun Rasmussen, Lyngby

Antoni Clavé

Lot 721 Untitled

Etching i colours

ab € 200

9 days | Ader, Paris

Hans Bellmer

Beautiful print on old rose-tinted Fabriano vellum, with small highlights in green pencil

original lithograph (4 colors)

2 days | Pandolfini, Milan

RUFINO TAMAYO

Lot 147 Tete , 1975

€ 200 - 400

2 days | Pandolfini, Milan

ERNST FUCHS

Lot 149 Hexenbocht

etching

Lot 69 Aristide Bruant (seventh plate for *Le Café-Concert*), 1893 [Wittrock 24]

8 days | Aguttes, Neuilly-Sur-Seine

HENRI DE TOULOUSE-LAUTREC

Black print on vellum

Lot 59 Still Life. 1964. Lithograph. [ , 1964

9 days | Ader, Paris

Antoni Clavé

Beautiful print on vellum, numbered (out of 95, not 99) and

Lot 60 Still Life. 1964. Lithograph. Image size , 1964

9 days | Ader, Paris

Antoni Clavé

Beautiful print on vellum, numbered (out of 95, not 99) and

Lot 153 Incest. 1968. Engraved by Cécile Reims , 1968

9 days | Ader, Paris

Hans Bellmer

A very beautiful and crisp print on white vellum, numbered and

Lot 171 Plate 1 for the album *Nouvelles en trois lignes* (text by F. Fénéon), Mo... , 1975

9 days | Ader, Paris

Roland Topor

Very fine print on vellum, inscribed “for Guy Georges” and

Lot 172 Plate 8 for the album *Nouvelles en trois lignes* (text by F. Fénéon), Mo... , 1975

9 days | Ader, Paris

Roland Topor

Very fine print on vellum, inscribed “for Guy Georges” and

Lot 178 Forcée (Image of Success). Circa 1990. Lithograph. [ , 1990

9 days | Ader, Paris

Roland Topor

Very fine print on vellum, inscribed “for Guy Georges” and

Lot 247 1972. Linocut and relief print. [

9 days | Ader, Paris

Antoni Clavé

Very fine print on aluminum, a variant with the circle printed in yellow rather than red, numbered “EA II/X” and

Lot 168 Long Dress. 1970. Lithograph. [ , 1970

9 days | Ader, Paris

Roland Topor

A very fine print on ivory-colored vellum, inscribed “for Guy Georges” and

Lot 177 Next! 1979. Linocut

9 days | Ader, Paris

Roland Topor

A very fine print on ivory-colored vellum, inscribed “for Guy Georges” and

Lot 147 The Silence of the Dog. July 15, 1976. Etching on rounded copper plate , 1976

9 days | Ader, Paris

Pierre Courtin

Lot 159 La Forme. 1974. Engraving , 1974

9 days | Ader, Paris

Fred Deux

A very fine print on vellum, numbered and

€ 180 - 200

today | Doyle, New York

Ramon Casas

Lot 43 Impression de Paris, circa , 1900

Gouache, watercolor, and graphite on paper

€ 170 - 350

9 days | Ader, Paris

Roland Topor

Lot 176 Disheveled Thoughts. Circa 1975. Lithograph. [ , 1975

A fine print on olive-green-tinted vellum, inscribed “E.A.” and

Lot 111 Harlequin with a Guitar , 1954

8 days | Aguttes, Neuilly-Sur-Seine

JEAN COCTEAU

Colour lithograph on vellum paper

€ 150 - 200

9 days | Ader, Paris

Antoni Clavé

Lot 61 Still Life. 1964. Lithograph. [ , 1964

Beautiful proof on vellum from the black stone alone, annotated “essai” and

Lot 69 Sun-Moon. 1964. Lithograph. Dimensions , 1964

9 days | Ader, Paris

Jean Lurçat

A very fine print on white vellum, numbered and

Lot 143 Girl in the Street. Circa 1944. Drypoint , 1944

9 days | Ader, Paris

Pierre Courtin

A very fine print on vellum, numbered and

Lot 144 Couple on a Chair. Circa 1945. Engraving , 1945

9 days | Ader, Paris

Pierre Courtin

Perfect proof on vellum, annotated “test print” and

Lot 152 Plate 5 from the series *Mode d’emploi*, Paris, G. Visat, 1967. Etching. ... , 1967

9 days | Ader, Paris

Hans Bellmer

The plate was originally intended as an illustration for André Pieyre de Mandiargues’ *L’Anglais décrit dans le château fermé* (a work that was never published) and was later included in the *Mode d’emploi* series

Lot 174 Head-to-Toe. Circa 1975. Lithograph. [ , 1975

9 days | Ader, Paris

Roland Topor

A fine print on vellum, inscribed “E.A.” and

Lot 246 Black Leaf, or Night Leaf. 1963. Lithograph , 1963

9 days | Ader, Paris

Antoni Clavé

Very fine print on vellum, numbered and