As of Nov 07, 2024

Karel Appel

Lot 593
Along the line of the steepest slope, 1995
Oil

39.4 x 31.9 in (100.0 x 81.0 cm)

Lot 593
Along the line of the steepest slope, 1995
Oil
39.4 x 31.9 in (100.0 x 81.0 cm)

Estimate:
€ 25,000 - 35,000
Auction: 12 days

Van Ham Kunstauktionen

City: Cologne
Auction: Nov 27, 2024
Auction number: A525
Auction name: Modern, Post War & Contemporary, Evening Sale

Lot Details
APPEL, KAREL
1921 Amsterdam - 2006 Zurich

Title: Along the line of the steepest slope.
Date: 1995.
Technique: Oil on canvas.
Measurement: 100 x 81cm.
Notation: Signed and dated lower left: appel 95.
Frame/Pedestal: Craftman's frame.


Enclosed with this work is a certificate by the Karel Appel Foundation, Amsterdam, dated 25th May 2005.

Provenance:
- Galleria Arte 92, Milan (label)
- Dorotheum, Vienna, Sale 138, 27th November 2019, lot 382
- Private collection South Germany

- Characteristic impasto work in Appel's rough style of painting
- Appealing colour composition in the abstract expressionist pictorial tradition
- Lively sujet with natural scientific background.
- Paint slightly pressed on in a few places in the pastose color area - Paper fibers adhering in two places in the upper left area of the picture - Traces and paint particles from the framing along the upper edge of the picture Otherwise the work is in
Lot Details
APPEL, KAREL
1921 Amsterdam - 2006 Zurich

Title: Along the line of the steepest slope.
Date: 1995.
Technique: Oil on canvas.
Measurement: 100 x 81cm.
Notation: Signed and dated lower left: appel 95.
Frame/Pedestal: Craftman's frame.


Enclosed with this work is a certificate by the Karel Appel Foundation, Amsterdam, dated 25th May 2005.

Provenance:
- Galleria Arte 92, Milan (label)
- Dorotheum, Vienna, Sale 138, 27th November 2019, lot 382
- Private collection South Germany

- Characteristic impasto work in Appel's rough style of painting
- Appealing colour composition in the abstract expressionist pictorial tradition
- Lively sujet with natural scientific background.
- Paint slightly pressed on in a few places in the pastose color area - Paper fibers adhering in two places in the upper left area of the picture - Traces and paint particles from the framing along the upper edge of the picture Otherwise the work is in

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