As of Sep 24, 2024

Ketuta Alexi-Meskhishvili

Lot 5
Lesley (after Woodman), 2015
Archival Pigment Print on light card


Lot 5
Lesley (after Woodman), 2015
Archival Pigment Print on light card

Estimate:
€ 500 - 700
Auction: 15 days

Van Ham Kunstauktionen

City: Online
Auction: Oct 10, 2024
Auction number: A1232
Auction name: The Kasper König Collection - Part II | ONLINE ONLY

Lot Details
ALEXI-MESKHISHVILI, KETUTA
1979 Tbilsi

Title: Lesley (after Woodman).
Date: 2015.
Technique: Archival Pigment Print on light card.
Mounting: Laid down on card.
Depiction Size: 33 x 28,5cm.


Condition:
Minimal rubbing on the edges (due to former framing). Verso laid down on card. Card verso with remains of former mounting. Otherwise very good condition.

The portrayed woman is Lesley Moon, a fitness trainer with whom the artist works out with. The artist photographed the portrayed woman several times, always in homage to famous photographers (here probably Francesca Woodman). In these works, she explores the idea and reception of the human body in photography, especially that of female nudity.

Provenance:
- Gallery Micky Schubert, Berlin
- Kasper König Collection, Berlin

Exhibitions:
- Galerie Thomas Fischer, Berlin 2018.
Lot Details
ALEXI-MESKHISHVILI, KETUTA
1979 Tbilsi

Title: Lesley (after Woodman).
Date: 2015.
Technique: Archival Pigment Print on light card.
Mounting: Laid down on card.
Depiction Size: 33 x 28,5cm.


Condition:
Minimal rubbing on the edges (due to former framing). Verso laid down on card. Card verso with remains of former mounting. Otherwise very good condition.

The portrayed woman is Lesley Moon, a fitness trainer with whom the artist works out with. The artist photographed the portrayed woman several times, always in homage to famous photographers (here probably Francesca Woodman). In these works, she explores the idea and reception of the human body in photography, especially that of female nudity.

Provenance:
- Gallery Micky Schubert, Berlin
- Kasper König Collection, Berlin

Exhibitions:
- Galerie Thomas Fischer, Berlin 2018.
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