As of Nov 15, 2024

Ernst Ludwig Kirchner

Lot 122000497
Bootshafen auf Fehmarn, 1913
Pencil drawing

14.8 x 18.1 in (37.5 x 46.0 cm)
Zoom
Lot 122000497
Bootshafen auf Fehmarn, 1913
Pencil drawing
14.8 x 18.1 in (37.5 x 46.0 cm)
Estimate:
€ 6,000 - 8,000
Auction: 23 days

Ketterer Kunst GmbH & Co KG

City: Munich
Auction: Dec 15, 2024 03:51 PM
Auction number: 22
Auction name: Online Sale
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Lot Details
Pencil drawing and color chalks. With the estate stamp of the Kunstmuseum Basel (Lugt 1570 b) and the handwritten registration number “FS Be / Aa 12”. 37.5 x 46 cm. , nearly the full sheet. [CH].
- From the sought-after Berlin years, created during Kirchner's third stay on the island of Fehmarn. - In the same year, Kirchner created the related painting “Hafen Burgstaaken, Fehmarn” (Gordon 307). - In his own words, Kirchner made works “of absolute maturity” on Fehmarn in the summers of 1912-1914. - In 1913, the artist spent the summer months at the house of the lighthouse keeper Lüthmann on the “Staberhuk” in the south-east of the island, not far from the present port of Burgstaaken.
This work is documented in the Ernst Ludwig Kirchner Archive, Wichtrach/Bern.
LITERATURE: Heinz Spielmann (ed.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, p. 158, SHG no. 160 (illu.). Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Hermann Gerlinger Collection, Halle (Saale) 2005, p. 326, SHG no. 737 (illu.).
Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (permanent loan from the Hermann Gerlinger Collection, 1995-2001). Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Hermann Gerlinger Collection, 2001-2017). Buchheim Museum, Bernried (permanent loan from the Hermann Gerlinger Collection, 2017-2022)
Artist's estate (Davos 1938, Kunstmuseum Basel 1946). Stuttgarter Kunstkabinett Roman Norbert Ketterer, Stuttgart (1954). Hermann Gerlinger Collection, Würzburg (with the collector's stamp, Lugt 6032)
In good condition. Minimal handling creases and isolated small creases. Two tiny paper losses and small surface blemishes in the left edge, minimally bleeding on the reverse. Center of the upper edge with a small paper loss (minimally discolored) and a small, professionally closed tear in center right.
Lot Details
Pencil drawing and color chalks. With the estate stamp of the Kunstmuseum Basel (Lugt 1570 b) and the handwritten registration number “FS Be / Aa 12”. 37.5 x 46 cm. , nearly the full sheet. [CH].
- From the sought-after Berlin years, created during Kirchner's third stay on the island of Fehmarn. - In the same year, Kirchner created the related painting “Hafen Burgstaaken, Fehmarn” (Gordon 307). - In his own words, Kirchner made works “of absolute maturity” on Fehmarn in the summers of 1912-1914. - In 1913, the artist spent the summer months at the house of the lighthouse keeper Lüthmann on the “Staberhuk” in the south-east of the island, not far from the present port of Burgstaaken.
This work is documented in the Ernst Ludwig Kirchner Archive, Wichtrach/Bern.
LITERATURE: Heinz Spielmann (ed.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, p. 158, SHG no. 160 (illu.). Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Hermann Gerlinger Collection, Halle (Saale) 2005, p. 326, SHG no. 737 (illu.).
Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (permanent loan from the Hermann Gerlinger Collection, 1995-2001). Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Hermann Gerlinger Collection, 2001-2017). Buchheim Museum, Bernried (permanent loan from the Hermann Gerlinger Collection, 2017-2022)
Artist's estate (Davos 1938, Kunstmuseum Basel 1946). Stuttgarter Kunstkabinett Roman Norbert Ketterer, Stuttgart (1954). Hermann Gerlinger Collection, Würzburg (with the collector's stamp, Lugt 6032)
In good condition. Minimal handling creases and isolated small creases. Two tiny paper losses and small surface blemishes in the left edge, minimally bleeding on the reverse. Center of the upper edge with a small paper loss (minimally discolored) and a small, professionally closed tear in center right.
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